Tall deconstructed sculptural vessel

This form was from a series of pieces by Dameon Lynn exploring and abstracting the human figure. It was made using a technique of deconstruction: a series of symmetrical forms are thrown on the potter's wheel which are then torn and flattened into slabs which are used to make a new form. This piece was made for a project in Thailand where it was fired for five days in an anagama style wood kiln. Glaze was applied to the overlapping textures to simulate melting ice in Catalonia in winter and no glaze to the main body emulates Thai warmth.