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©Soledad Christie

Llamitas Silhouettes

These sculptural vessels are hand modelled with the techniques of pinching and Lulo. The burnishing is done with a small river stone during the drying process. All the pieces have a first firing in a low temperature terracotta gas kiln. The black pieces go through a second firing, the traditional pit firing, using llama and goat guano as fuel. The firing is done in a reducing atmosphere, which is the reason for the black colour, grays and graphites on the surface of the piece.
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Soledad Christie
San Pedro de Atacama, Chile
Although she was born in Viña del Mar and studied in Valparaíso, Chile, Soledad Christie discovered her vocation in the immensity of the desert territ ...
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