Theresa Kelly

Lacemaker

©Ildilko Vargo

A new life for Irish heritage lacemaking

Theresa preserves Carrickmacross lacemaking through her contemporary artistic works
Her creations combine delicate lace with hard materials such as bark, crystal and gold leaf
In 2001, she won the inaugural Eleanor de la Branchardière Lace Bursary

When Theresa Kelly moved to Carrickmacross in County Monaghan, she learned the Carrickmacross lace craft and made it her life's practice. Theresa took night classes with Kathleen Flanagan to learn this Irish heritage lace craft. "Despite the style being quite dated and lace being out of fashion at the time, I could see the potential of this technique," says Theresa. She began making wearable textiles, but her imagination soon led her toward three dimensional artistic wall pieces that eventually escaped the frame completely. Theresa embellishes these works, not with the expected jewels or finery associated with lace, but with more primal elements that she combines with opulent lace, opening up a conversation about material and value.

Interview

©Ildilko Vargo

©Ildilko Vargo

Were you always interested in textiles?: Yes, I grew up surrounded by thread work. My mother made all of our clothes as children and she had her own sewing room in the house. So, although in college I studied painting and ceramics, fabric was a big part of my informal creative education.
What is Carrickmacross lace?: Carrickmacross is a heritage lace that is quick to make. It combines two fabrics with appliqué and guipure stitching, and features a looped edge, which is a distinctive feature of the Carrickmacross lace. I use these traditional techniques to create my own unique style.
What draws you to lacemaking?: I enjoy the history and tradition behind lacemaking, which is why I often teach others. When I think of the nameless women who created much of this historic craft, I feel lucky to be a contemporary lacemaker who can proudly add her name and skills to their legacy.
What forms of support helped with your progress?: For many years, the Royal Society of Dublin held an annual craft competition, which was a crucial creative outlet for me in my early career. In 2001, I won the inaugural Eleanor de la Branchardière Lace Bursary which was an amazing accolade in recognition of my work.

Theresa Kelly is a master artisan: she began her career in 1986 and she started teaching in 2006