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Bologna, Italy

Roberto Regazzi

Luthier

Crafting wood in the service of music

  • Roberto studied physics before taking up violin making
  • His first love was classical guitars
  • Violinist Anne-Sophie Mutter has one of his violins

Roberto Regazzi's foray into making stringed instruments began when he was 14 years old. More than 50 years later he still loves this job more than anything else. "Since I was a child, I've had a propensity for sound and timbre. I’ve always loved music," he says. He first started to repair his friends’ guitars, and soon after, began building them. Later, during an apprenticeship, he was told to switch to making violins. He quickly learnt that making a violin takes a long time. "It’s a matter of understanding what the client wants – perhaps a specific model, with a specific cut. Each instrument also requires a particular type of wood. Viola is often made of poplar; for the cello willow is very good; the violin mostly requires maple and spruce."


Interview

©photos.ilyamirman.com
©photos.ilyamirman.com
What is your educational background?
At the beginning, I was self-taught. At university, although I was a good student, my heart wasn’t in it, so I left. My parents were worried, but then I had the great opportunity to become the pupil of Otello Bignami. That period was the turning point for me to become a professional violin maker.
What do you love most about your profession?
I love wood for its consistency, its aesthetics and for the sound transmission. Choosing and stocking good wood is important in order to use the right piece for the right customer at the right moment. I have some wood that I stocked in the 80s, and some extremely rare old wood too.
How would you define what you do?
I would say that I am an interpreter of the material in the service of music. While the musician reads and plays music of past centuries, people like me 'interpret' the right material for the right sound according to the instrument.
Could your craft be considered in danger?
I had the chance be part of the rebirth of the Bolognese liuteria and its ancient traditions. Learning how to make violins takes a long time. I don’t know if it’s in danger, I know that working in this field requires exceptional qualities, so it's hard.
Roberto Regazzi is an expert artisan: he began his career in 1970

Where


Roberto Regazzi

Address: Via Angelo Musco 1/A, 40127, Bologna, Italy
Hours: By appointment only
Phone: +39 51501807
Languages: Italian, English
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