Anush Yeghiazaryan

Tapestry maker

Visions of existence down on Earth

Anush carries forwards the rich tradition of Armenian tapestry making from her father
She obtained a PhD from the State Armenian Pedagogical University
In her works she uses a mix of different techniques and yarns

Since childhood, Anush Yeghiazaryan has been deeply passionate about weaving, often spending time learning from her father. This passion comes naturally, as she is the daughter of Karapet Yeghiazaryan, the patriarch of the Armenian school of tapestry making. Today, Anush is an acclaimed Armenian painter, tapestry artist, and professor, known for her extraordinary tapestry creations. Her journey began in 1984 when she graduated from the State College of Fine Arts after Phanos Terlemezyan. She then pursued studies in graphic design at the Yerevan State Fine Arts Academy from 1984 to 1990. Today, Anush carries forward the tradition of Armenian tapestry making by teaching in the Decorative and Applied Art department at the university. "Being an artisan represents the most perfect form of existence, to me. It is not just about creating, it is a way of seeing and understanding the world," says Anush.

Interview

How did you decide to become a tapestry maker?: My father, Karapet Yeghiazaryan, was a painter and a rare tapestry creator, and I was raised in an environment deeply influenced by his artistry. As the founder of modern Armenian tapestry, his work had a profound impact on me. For me, becoming an artisan was the most authentic form of existence.
Is tapestry making in danger in Armenia?: According to Armenian historian Kirakos Gandzaketsi, church curtains in the 13th century resembled tapestries, but over time, the craft declined and was nearly lost by the 20th century. My father played a key role in its revival. After studying in St Petersburg, he founded a tapestry school in Armenia to preserve and pass down his knowledge to future generations.
What do you find most captivating about tapestry?: What I like most about tapestry making is the ability to sculpt and give life through threads. It is about thinking decoratively and envisioning an image, and then bringing it to life with texture and colour. I love the idea of creating something that not only tells a story but also makes a space feel warmer and more inviting.
What kind of techniques do you use?: I use classical, relief and volumetric techniques, along with my own unique methods. My works are abstract, blending tradition and innovation. I believe you cannot create something new without grounding it in the past.

Anush Yeghiazaryan is a master artisan: she began her career in 1984 and she started teaching in 1991