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Itapecerica da Serra, Brazil

Isabel Ferrari

Três Pontos Madeira
Wood marquetry maker

The beauty found in reclaimed wood

  • Isabel’s work brings out the natural hues of Brazilian woods
  • Her linear forms intuitively echo indigenous art and Cubism
  • She uses reclaimed wood to produce all her pieces

After nearly a decade as an audiovisual artist in Argentina, Isabel Ferrari returned to Brazil during the pandemic and discovered a passion for marquetry in her father’s woodworking studio. “The workshop felt like an opportunity to create, and I love creating!” she reflects. Her craft highlights the beauty of Brazilian woods like peroba rosa, pau marfim, and imbuia. Using reclaimed beams and floorboards, Isabel transforms weathered wood into unique pieces of furniture. "This process is akin to uncovering a hidden gem,” she says, about discovering the true colours and detailed grains beneath the surface. Isabel’s work features angular, precise patterns. “I began working with repetitive, linear forms intuitively and later realised their connection to the contrasts and rhythms of indigenous art,” she explains.


Interview

©All rights reserved
©All rights reserved
What drew you to the field of marquetry?
The variety and colours of wood immediately captivated me. I envisioned unique objects, like meditation stools, with each part made from different types of wood. Guided by my father, I explored basic patterns, discovering new cuts and combinations along the way.
What role does reclaimed wood play in your process?
Reclaimed wood is high quality but requires extra preparation, like removing nails or chemicals. Restoring what seems destined for disposal is incredibly rewarding. Cutting into a demolition beam to reveal its original colour feels like uncovering a hidden gem.
What is the most challenging aspect of your work?
Managing expectations about the outcome. Designs are not always perfect; lines may not align seamlessly, and projects often need redirection. Pieces with many fine lines are the hardest, as cuts and gluing can cause misalignment. Abstract works, however, allow more flexibility.
Do you take on apprentices or offer workshops?
I currently do not have apprentices or run courses, as I feel I need to refine my skills further. However, there is demand, and I would love to teach in the future. It would be a pleasure to help revive this rare and increasingly scarce craft.
Isabel Ferrari is a rising star: she began her career in 2021

Where


Isabel Ferrari

Address: Address upon request, Itapecerica da Serra, Brazil
Hours: By appointment only
Languages: Portuguese, English, Spanish
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