Eric Lansdown

Miniature maker

A lifetime of building characterful houses

Eric is passionate about historic architecture and manual craftsmanship
His own workshop is located in a historic building in France
Research and teaching others are key elements of his creative practice

Since 1973, Eric Lansdown has been creating unique dollhouses and birdcages whose architecture and design take us on a journey through time. A native of San Francisco, his love of craftsmanship was strongly influenced by the city and artistic environment in which he grew up. From his earliest experiments in the wood workshop that his grandfather had specially set up for him, to building boats and sailboats, and restoring antique cars in his teenage years, Eric has always been highly driven by manual work. He created his first commercial dollhouse to provide for his family. It was a successful experience that encouraged him to pursue the craft fully. Made of wood and glass, and painted with pewter mouldings and iron railings, Eric's dollhouses feature the most elaborate details, grounded in historic accuracy.

Interview

What is the story behind your first doll's house?: My first commercial dollhouse was made in the winter of 1973. It was a little Queen Anne style, Victorian, San Fransiscan House – not dissimilar from the one I grew up in – made from a fish box from Chinatown. It was light blue and white, with carved wood ornaments, coloured glass and lots of intricate painted detailing. The house was sold to Lillian Williams Antiques on Montgomery St. and helped fund Christmas for my daughters Jessica and Bianca.
How does your creative process unfold?: I take the design process very seriously. I create hundreds of models, from which I select just a few to take through to the building stage. I am constantly conducting research and it can take years to find the right inspiration for a project. I have drawn inspiration from all periods, including the Renaissance and Greco-Roman times.
Did your move to France influence your work?: There is no doubt that the French landscapes, dotted with spectacular châteaux, have greatly inspired my work over the last 30 years. My workshop here in Gabian is my favourite thing. I have set up my studio in the heart of Gabian's Abescat, a historic building dating back to the 15th century.
How do you relate to tradition and innovation as an artisan?: My approach to this craft is essentially traditional. However, through working with young artists, I am allowing my traditional knowledge to combine with the innovative and creative drive of the new generation.

Eric Lansdown is a master artisan: he began his career in 1973 and he started teaching in 2009