Having studied glass design and glassblowing in the UK, Sweden, France and the US, Beate Einen acknowledges the interplay of cultural influences in her work. “Scandinavia offers me the timeless simplicity of a minimalist language, while the English side gives a sense of flippancy,” she says. “I push the limits of the versatility of glass by combining blown glass with various materials.” Her work is not driven by technique, but by a search for the perfect form. “Studying glassblowing in Sweden, I watched the intricate teamwork between the designers and the specialised craftsmen of the Swedish glass factories. I was fascinated by how the complex and highly demanding aesthetics of glassblowing forged an unbreakable link between craft, design and art.”
Beate Einen